![]() The pacing is much slower overall, the riffs are based on stop-start patterns with a noticeably dissonant edge, and the vocals put in a similar mix of abrasive lines lathered in effects.Īs intriguing as this setup is, the execution doesn’t show much consideration for the band’s strengths. Any signs of the debut’s thrash leanings are entirely phased out in favor of an abstract delivery more aligned with groups like Helmet, Godflesh, Fudge Tunnel, and even a smidge of early Korn. While this album is more or less an extension of its predecessor’s street metal sound on the surface, the way it goes about doing so makes for a much different listening experience. But while that effort has maintained a modest cult classic status over the years, there’s a reason why A Small Deadly Space has remained so overlooked in comparison. With 1993’s War of Words proving that he was more than capable of standing on his own two feet in a contemporary style, it only made sense for its followup to double down on those groove metal excursions. Fight’s second album seems rather forgotten about when it comes to Rob Halford’s projects outside of Judas Priest.
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